ome in Mayfair, London, shortly after the death of his mother. McQueen had a background in tailoring before he studied fashion and embarked on a career as a designer. His MA graduation collection caught the attention of the fashion editor Isabella Blow, who became his patron. McQueen's early designs, particularly the radically low-cut "bumster" trousers, gained him recognition as an enfant terrible in British fashion. In 2000 McQueen sold 51% of his company to the Gucci Group, which established boutiques for his label worldwide and expanded its product range. During his career, he designed a total of 36 collections for his brand, including his graduation collection and an unfinished final collection. Following his death, his longtime collaborator Sarah Burton took over as creative director of his label. As a designer, McQueen was known for sharp tailoring, historicism, and imaginative designs that often verged into the controversial. He explored themes such as romanticism, sexuality, and death, and many collections had autobiographical elements. Among his best-known individual designs are the bumsters, the skull scarf, and the armadillo shoes. McQueen's catwalk shows were noted for their drama and theatricality, and they often ended with elements of performance art, such as a model being spray painted by robots (No. 13, Spring/Summer 1999), or a life-size illusion of Kate Moss (The Widows of Culloden, Autumn/Win