Theater Update: A spooky sleepover with Helena Bonham Carter
Season of screens; Baldwin adaptations; Jay Ellis
Theater Update
June 25, 2025

Dear Theater Fans,

High-tech storytelling is having a moment on Broadway, with screens playing their own roles in shows like “Maybe Happy Ending,” “The Picture of Dorian Gray” and “Sunset Boulevard.” The trend, Michael Paulson reported, not only “reflects the ubiquity of digital devices in contemporary life” but is also made possible by the growing availability, affordability and stability of the equipment. How do the actors feel about it? “We talk to screens all day,” Darren Criss of “Maybe Happy Ending” told Michael. “What’s another one onstage?”

Down at the Shed, “Viola’s Room” is another tech heavy show. This actorless immersive piece from Punchdrunk — a transporting gothic mystery narrated by Helena Bonham Carter — caters to just a handful of audience members at any one time. “It’s so important that no detail is superfluous,” Felix Barrett, Punchdrunk’s artistic director, told Alexis Soloski about creating a sort of wonderland that is somewhere between sleep and waking.

Michael also reported on a couple more Broadway closings: “Boop,” which just announced that it will close on July 13, and “Dead Outlaw,” which will end its run this Sunday. And he broke the news this morning that the producer David Binder is creating a new international performing arts festival, which is scheduled to debut this fall at a former power station in the Gowanus section of Brooklyn.

In an essay, Maya Phillips reflects on a rewarding stage adaptation of James Baldwin’s “Giovanni’s Room,” and Sopan Deb has written about “Mahabharata,” a retelling of the Sanskrit epic being staged at Lincoln Center this week.

The first few days of summer have been long and hot. So grab some ice tea, sit back and let Fabiola Caraballo Quijada and Chris Hayes, among the winners at this year’s Jimmy Awards (the celebration of excellence in high school musical theater), knock your socks off.

Please reach out to me at theaterfeedback@nytimes.com with suggestions for stories or to offer your thoughts about our coverage. And urge your friends to subscribe to this newsletter.

Have a wonderful week,
Nicole Herrington
Theater Editor

Like this email?

Forward it to your friends, and let them know they can sign up here.

FEATURES

A woman leans despondently on a table, while a bald man sits near her in an office chair.

Marc Brenner

A Play About a Breakdown Was a 2000 Hit. What Do Audiences Say Today?

Sarah Kane’s “4:48 Psychosis” premiered to rave reviews shortly after the playwright killed herself. A quarter-century later, the original cast is reviving the production.

By Alex Marshall

Workers decorate a room with white drapery that is tattered, torn and bunched up.

George Etheredge for The New York Times

My Spooky Sleepover With Helena Bonham Carter

“Viola’s Room,” a transporting gothic mystery at the Shed, is the latest immersive work from Punchdrunk, the company behind “Sleep No More.”

By Alexis Soloski

The fabric of a woman’s blue sari is held up in the air by an unseen person as the woman stands with her arms outstretched by her thighs. The red-carpeted set is filled with people standing, kneeling and sitting.

David Cooper

A Retelling of the Mahabharata, Set to Modern-Day Struggles

At Lincoln Center, the Toronto-based theater company Why Not strives to balance the old and new in its production of the Sanskrit epic.

By Sopan Deb

A black-and-white photo of Jay Ellis against a green background.

Gioncarlo Valentine for The New York Times

My Ten

Jay Ellis Considers Colson Whitehead His Literary GOAT

“‘Harlem Shuffle,’ ‘Crook Manifesto,’ ‘Underground Railroad,’ ‘Nickel Boys’: I feel like I did not understand or see myself in fiction until I read him.”

By Leigh-Ann Jackson

A black-and-white photo of Barbra Streisand, in a sailor’s outfit, singing beside Judy Garland, in a dress featuring sequined vertical stripes.

Archive Photos/Getty Images

Barbra Streisand on the Duets That Define Her: ‘I Like Drama’

With a new album due next week that pairs her with Paul McCartney, Bob Dylan, Laufey, Sam Smith and more, the singer looks back at her prized collaborations.

By Jim Farber

NEWS

Dancers holding hands are standing with their left legs slightly raised. They are cast in shadow under a light on a darkened stage.

Tom Visser

Global Arts Festival Taking Shape Inside Gowanus Power Station

The first Powerhouse: International will feature works from South Africa’s William Kentridge, Brazil’s Carolina Bianchi — and 10,000, $30 tickets.

By Michael Paulson

Stephen Sondheim sits in a patterned chair in the room of a house, surrounded by other furniture and books.

Daniel Dorsa for The New York Times

5,000 Sondheim Sketches and More Head to Library of Congress

The musical theater titan left behind material from beloved shows like “Sweeney Todd” and “Sunday in the Park With George.”

By Joshua Barone

A barnlike building with white trim and the words “Mamma Mia” on the side.

via New London Barn Playhouse

The Curious Proposal to Fund a State Arts Council With $1

New Hampshire residents pushed back, but lawmakers still plan to decimate the group, which gives grants to theaters and museums.

By Michaela Towfighi

The facade of a building, with gold-colored columns and a large window, with a sign reading “The Kennedy Center.”

Kayla Bartkowski/Getty Images

With Broadway Tunes, Democrats Protest Trump’s Takeover of Kennedy Center

The small concert hosted by five senators during Pride Month was directed by the lead producer of “Hamilton.” An altered set of “Les Misérables” lyrics poked at the president.

By Sopan Deb, Michael Paulson and Javier C. Hernández

Three people onstage, two holding up a coffin with the third man inside of it, facing the audience. A sign reads “Elmer ‘Missouri’ McCurdy The Safe-Cracker Who Would Not Be Taken Alive!”

Sara Krulwich/The New York Times

‘Dead Outlaw’ Musical to Close After Disappointing Run on Broadway

The show was shut out at the Tonys after being nominated for seven awards, including best musical.

By Michael Paulson