Plus: Anne Hathaway's glitzy new thriller, CinemaCon news, and a major DC casting choice.Plus: Anne Hathaway's glitzy new thriller, CinemaCon news, and a major DC casting choice.
Inverse Daily
How 'Daredevil: Born Again' Season 2 Built The New, Improved Bullseye
How 'Daredevil: Born Again' Season 2 Built The New, Improved Bullseye

Wilson Bethel is in the middle of making a lasagna when he joins our Zoom, but he promises to give me his undivided attention. As we’re discussing all things Daredevil: Born Again, a subject that’s near and dear to his heart, that pledge is well-kept — in fact, there are times when I worry about the lasagna cooking in his oven being neglected. Bethel is all-in on every subject that passes between us, from the dearth of pasta restaurants with generous portions in Los Angeles (“It’s why I make my own lasagna!”) to the newfound confidence of his swaggering serial murderer, Benjamin Poindexter.

It’s not hard to wonder where his passion comes from: The actor, alongside every actor from the original Daredevil, assumed that he’d never get the chance to finish Dex’s story after Netflix canceled the series. Bethel had scarcely completed Dex’s origins as Bullseye before the streamer pulled the plug. A revival seemed like a pipe dream — then, Marvel Studios made it a reality, bringing Charlie Cox’s eponymous vigilante back to life alongside his roster of colorful villains. Bullseye especially feels reborn in kind: He makes an explosive return in Season 2, luring a squad of anti-vigilante goons to a diner where he proceeds to put his perfect accuracy to fatal use. The deranged smile across his face is equal parts intimidating and, admittedly, a little infectious; per Bethel, that’s by design.

“This season, I get to have so much fun,” the actor tells Inverse. “It’s the best. And I love seeing Dex in that zone, too.”

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Rewind
10 Years Later, One Vicious Cult Classic Thriller Remains Timelier Than Ever
A24
10 Years Later, One Vicious Cult Classic Thriller Remains Timelier Than Ever
Jeremy Saulnier's 'Green Room' is one of the best (and most gruesome) movies ever made about the punk subculture.
55 Years Later, A Forgotten Satanic Thriller Remains Folk Horror's Most Subversive Movie
Tigon Pictures
55 Years Later, A Forgotten Satanic Thriller Remains Folk Horror's Most Subversive Movie
Before the string of “evil children” took over Hollywood and "folk horror" entered the general lexicon, there was 'The Blood on Satan’s Claw.'
The 10th Doctor (David Tennant) in Season 2 of 'Doctor Who' (2006).
BBC
20 Years Ago, The Oldest Sci-Fi Show's Golden Era Began With A Strange Start
The third debut of David Tennant as the 10th Doctor in 'Doctor Who' was probably the most pivotal. Here's how "New Earth" feels, 20 years later.
The 'Bablyon 5' crew in new uniforms for "Ceremonies of Light and Dark."
Warner Bros.
30 Years Ago, One Cult '90s Sci-Fi Show Rebooted Its Entire Aesthetic
In 1996, 'Babylon 5' proved fashion is danger. Here's the moment the show changed its look, for the better.
CinemaCon News
Spoilers!
Maverick? 'The Boys' Season 5 Just Established A Disappointing 'Gen V' Crossover
Maverick? 'The Boys' Season 5 Just Established A Disappointing 'Gen V' Crossover
The introduction of a minor character from 'Gen V' feels shoehorned in, a bad sign for the rest of the season.
Could The DCU Have Found Its New Wonder Woman?
Could The DCU Have Found Its New Wonder Woman?
'Andor' star Adria Arjona is joining James Gunn's 'Superman' sequel. Is she playing Maxima — or could she be the DCU's Wonder Woman?
Review
‘Mother Mary’ Review: Anne Hathaway Is Hypnotic In A24's Gloriously Haunting Horror
‘Mother Mary’ Review: Anne Hathaway Is Hypnotic In A24's Gloriously Haunting Horror

They say hatred is a curse, a spell that poisons the wielder more than the object of their ire. Director David Lowery certainly believes in the former, but his latest trip into the surreal is more than happy to debunk the latter, too. The filmmaker is the unsung master of the metaphysical; the odd possession is a staple of his oeuvre. And sure, it’s all a metaphor for grief or ambition, a manifestation of some emotion suppressed or denied. With Mother Mary, though, the veil between what’s real and what isn’t — what can hurt us and what haunts us — feels thinner, more dangerous, and more intoxicating than ever.

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