On the rise (and fall) of the Japanese cell phone novel in the early 2000s (and the its attendant moral panic). | Lit Hub Criticism

André Aciman considers intimacy as art in Eric Rohmer’s Élisabeth: “Rohmer’s characters... could all be on time-out and exist on an entirely different planet... But be under no illusion; it is still our world.” | Lit Hub Criticism

How Grace Paley imbued the roles of both artist and activist with love. | Lit Hub Criticism

Alice Mattison on the unlikely experience of having your correspondence with a famous writer turned into a book. | Lit Hub Craft

“To drink is to enter of a labyrinth of romantic, thrilling, even glamorous myths; to give up drinking is to give those up too.” Jack Parlett explores the queer writer’s experience of sobriety. | Lit Hub Memoir

Why writers need to steal time whenever they can (even if it means waking up really, really early). | Lit Hub Craft

“It was winter when Laura left her husband without warning, and summer when she returned.” Read “The Rival,” a story by Sophie Mackintosh from the new issue of Kismet. | Lit Hub Fiction

“There have been more than a few times lately when I wanted to throw my laptop across the room, drop everything, and go live in the woods. This was one of them.” Monica Potts confronts the extent of AI theft of her work. | The New Republic

Nitsuh Abebe explores the rising (“almost camp”) use of “degenerate.” | The New York Times Magazine

Even if Sarah Wynn-Williams was supposed to stay silent, Meta still looks like a bully “pursuing a personal agenda.” | Wired

Why workplace AI use could shove more people towards the gig economy. | Jacobin

J.D. Vance’s Communion is “a stone-cold free bin classic.” | The Baffler