Fashion Week: What’s the thing only Ralph Lauren can bring?
I’m always looking for “Ralphness.”
Open Thread
January 17, 2026

Hello, Open Thread and surprise! Here’s Jacob Gallagher’s first dispatch from the Ralph Lauren show in Milan. To keep getting this inside look at Fashion Week, you’ve got to sign up here. Meanwhile, I’ll be back with more Open Thread as usual next week. — Vanessa

A model in a patterned beige sweater and a green plaid scarf parades along a runway. Another model in a fringed rust-colored  jacket, a guitar case strapped on his back, follows behind him. Both wear sunglasses and knit caps.
Simbarashe Cha/The New York Times

Pleasantly surprised …

It can be a wonderful feeling to have your expectations dashed. I experienced just that on the first day of men’s fashion week in Milan, as I watched Ralph Lauren’s first men’s only runway show in over 20 years. Passing under the gray stone archway of the company’s palazzo, I expected some sort of old money mélange, rife with cable knits and meet-your-fiancée’s-parents navy blazers (something that would capitalize on the brand's TikTok-generation fans smitten with blue-blooded American style).

That’s not what Ralph Lauren delivered. The show’s opening half buzzed with pluck and pattern. Out came a duck-printed fleece Polo jacket, a ski-bum Fair Isle Cowichan sweater and a just the-right-side-of-twee cardigan depicting a cabin. (So much of this throwback collection was a reminder that “Polo country” is a worthwhile eBay search.)

The stunner of the show was a fur-hooded knee-length shearling, the color of vanilla gelato, speckled with tiny pockets up the front. Was it Western? Was it posh? Was it military? Yes to all.

The Lauren show was split between looks from Polo and its dressier Purple Label line. The latter offering did tread into the old money costuming I had anticipated. Cream trousers with knife-edge pleats, cigar suede tassel loafers and plaid cashmere jackets made less of an impact, if only because there’s so much look-alike product already on the market now.

Ralphisms galore: Fair Isle, fleece, conch belts, formal-wear made informal and contrasting plaids.  Simbarashe Cha/The New York Times (top); Vittorio Zunino Celotto/Getty Images

And this is really the conundrum that Mr. Lauren, who at 86 did not travel for this show, faces at this stage of his career: He has outlasted nearly all of his generational peers. In design, his competitors are his much younger copycats, busy repackaging things he might have been doing for decades.

That’s to say, what really charmed me in this show were the things that demonstrated that audacious Ralphness that only he can deliver. I was less taken with the doodled-on pants (RALPH down the left leg, a Polo pennant on the right), or the studded and bejeweled black jeans — than I was in the furry Fair Isle fleece with its safety orange pocket.

Ralphness can best be found in the styling. We are, after all, talking about America’s maestro of the “Can I do that? Oh, yes I can” outfit. A gold-buttoned blazer and neon hiking sneakers? Ralph’s done it. A dinner jacket and blue jeans? Child’s play for Mr. Lauren.

This collection embodied that pile-it-on spirit. The Fair Isle fleece was worn with baggy jeans, a clementine-colored puffer, a purple ball cap, a tartan scarf and a pine green tote with a different plaid scarf tied around the handle. Sunglasses dangled off shirt collars, scarves were secured beneath hoods, a sweater erupted out of a bag like pink lava, a red sweater with “Polo” in gothic script was worn, for whatever reason, with tuxedo pants and a black bow tie.

When a model came out in a crinkly flight suit with ash tray-size silver conches across it, I smirked. Rather than reinforce tastefulness, these outfits felt like a rebuke to the entire notion of taste.

Other things worth knowing about:

Clockwise from top left: The convertible blazer at Zegna; a cargo comeback at Brunello Cucinelli; Hudson Williams making his runway debut at Dsquared2; and an enviable wardrobe at Umit Benan. Clockwise from top left, Zegna; The New York Times; Vittorio Zunino Celotto/Getty Images; Umit Benan
  • Brunello Cucinelli thinks cargo pants are “beautiful.” The very first presentation on the very first day of Milan featured men in cargo pants. Lots of them. Hip pockets, front pockets, pockets above other pockets. In the early 2010s, Mr. Cucinelli, Italy’s commandatore of cashmere, made a mint convincing men of means that no outfit was chicer than a navy blazer with some olive cargoes. Cargoes, he said through a translator, are “beautiful,” becoming, likely, the first person to ever say so.
  • Today’s “hadn’t seen that before” award goes to Zegna’s convertible button blazers. Flip the button inside and you’ve got a regular double-breasted jacket. Flip it outside to fasten the jacket at this now-exposed center button and it’s something looser, more like an overcoat. Basic, but ingenious.
  • If men had a Phoebe Philo, who would it be? Umit Benan, a Turkish designer working in Milan, laces elegance with experimentation. In his showroom on Via Bigli on Friday, I saw an idealized, but not at all boring wardrobe of double-layered blazers, high-neck silk shirts and cashmere sweaters of many flavors. It’s something I would love to wear, but it’s definitely not cheap. A downy overcoat with a shawl-collar sails in at 6,000 euros (almost $7,000). But it works. Mr. Benan said one finance-world client recently came into his store and purchased 243 items in a single shopping trip. Another client (again, a finance-guy) ordered 97 pajama pants. Must be nice …
  • A quick acknowledgment of the suit-wearing, hair-slicked-back model in the Ralph Lauren show who swaggered as if he’d just been told he beat a zillion-dollar fraud case. Best walk of the day.
  • And Dsquared2 can now say it’s the first label to get Hudson Williams from the oh-so-viral “Heated Rivalry” to walk in its show — probably the best marketing move for any designer who actually wants to reach the TikTok set.

WHAT I’VE BEEN READING BETWEEN SHOWS

A model poses in a white peacoat with rounded shoulders and large gold buttons.  She wears a black and white riding cap crossed with a baseball cap and carries a classic Balenciaga City bag,

Would you wear Balenciaga at the gym?

A mall scene at a store entrance, the black and white Saks Fifth Avenue sign prominent on the facade. Several people mill around the foreground, one looking at a phone.

What does the Saks bankruptcy mean for shoppers?

A hand touching a red-leather notebook, center, that is on a wooden surface near a paperback book and a burgundy leather notebook.

There’s a new coveted French accessory — and it’s not a handbag.

A person standing on a street and wearing a long brown leathery coat with an upturned collar.

Come wintertime, it could be said that the coat, not the clothes, makes a man.

What’s on deck

  • The emperor of Anglo men's wear, Paul Smith
  • Setchu and his origami blazers
  • Perhaps, an outerwear assessment at Stone Island
  • The main event for Milan: the Prada show

A last look from our Times photographer/ visual columnist Simbarashe Cha on the ground in Milan

Mr. Hiddleston, wearing a tan plaid suit, smiles at Mr. Domingo, who gestures with open hands as if speaking. He wears a three-piece brown suit with a matching coat over his shoulders. They stand in a formal room with a fireplace.
Tom Hiddleston, left, and Colman Domingo, draped in full Ralph Lauren suits, sharing a moment before the Ralph Lauren men’s show in Milan. Simbarashe Cha/The New York Times

Thanks for joining us! Send me scoops, questions and complaints (Actually, don’t send me complaints.) Jacob.Gallagher@nytimes.com

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