PW stopped by the official unveiling of the newly christened Jack Kirby Way on Essex Street, which drew costumed fans, local politicians, and comics legends.
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Avery Hill Cofounder to Step DownDave White will depart from the U.K.-based graphic novel publisher after 14 years with the company. Cofounder and copublisher Ricky Miller will become sole publisher.
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Dan Goldman Launches Kinjin Storylab With ‘Red Light Properties’The comics writer and artist’s new studio, which will debut with a hardcover collection of Goldman’s cult-favorite comics series, champions the importance of book design. “This is what a physical book can do that a PDF or whatever doesn’t hit the same way,” Goldman said of the inaugural title.
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Recently, on the ‘More to Come’ PodcastCo-hosts Heidi “The Beat” MacDonald and Kate Fitzsimons are joined by guest host TreVaughn Roach-Carter, digital editorial coordinator at
PW, and author of
Bryn’s Virtues and
The Aziza Chronicles. The team discusses BookCon 2026 and its fallout; BICS and Comics Arts Fest; the mangaka Syundei being driven off social media; and
more.
Drawing on Fear: PW Talks with UketsuThe Japanese horror novelist, known for only appearing masked, is a crafter of mysteries and a mystery himself. In June, Titan Manga will release a manga adaptation of his novel
Strange Pictures, drawn by Kikou Aiba, which evokes “icy menace from fictional ‘found’ art,” per
PW’s review.
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A Suitcase of Manga: PW Talks With Varun GuptaManga Mavericks, the podcast hosted by Siddharth Gupta and Colton Solem, launched its publishing arm last year, specializing in doujinshi (self-published) and small press manga. Cofounder Varun Gupta talks about the path from in-joke to pro publisher.
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To Watch or Not To Watch: May 2026May is bringing not only flowers, but a veritable bounty of book-to-screen adaptations, from the
Devil Wears Prada sequel, to fresh takes on classic novels, to yet another steamy hockey romance.
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Names and Faces: A Graphic Memoir by Leise Hook charts a life grappling with the cultural and racial complexities of a biracial background and the challenge of defining herself in a world unprepared for her unconventional reality. The child of a Chinese mother and a white American father (both of whom are linguists), Hook is a white-presenting but Mandarin speaking Chinese American social riddle. Growing up in the U.S. and Japan, and later while working in China, she is repeatedly confronted with the question “what are you?,” from friends, colleagues, and strangers.
In this 11-page excerpt, Hook presents her childhood growing up in Michigan, her first memories of feeling out of place, and the moment she learns her parents plan to move the family to Japan. Names and Faces: A Graphic Memoir by Leise Hook is out now from Henry Holt.





‘The Roots of My Hair: A Graphic Novel’ by Lou Lubie, trans. from the French by Makedah HughesThe enlightening English-language debut from French cartoonist Lubie takes on ethnic identity and beauty norms with passion and vulnerability. Rose, a biracial girl, lives on Réunion Island near Madagascar with her parents and brothers. The extreme style incites a retrospective journey through Rose’s anxiety-riddled collegiate years in Paris, where she finds “a woman’s appearance is a constant subject of unnecessary commentary” as she wears weaves, relaxers, and braids. Rose’s self-acceptance arrives in a heartfelt full-circle moment that affirms those who’ve wrestled with their own complex heritage.
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‘Gay Mormon Dad’ by Chad Anderson and Remy BurkeGraymalkin Lane podcaster Anderson and indie cartoonist Burke debut with an inspiring graphic memoir detailing Anderson’s path from an unhappy childhood steeped in Mormon doctrine to an out-and-proud gay man and father. Throughout, Anderson intersperses brief prose pieces that deepen the narrative, while Remy Burke’s drawings keep the action clear and concise. The hard-won insights here will resonate for fans of queer memoir—and any reader who has faced major life transformations.
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‘Everything Dead & Dying’ by Tate Bombral and Jacob PhillipsBrombal and Phillips open this exhilarating zombie tale on a more sentimental note but still deliver plenty of gore and guts. The art’s grotesquerie is both repellent and riveting. Like The Walking Dead and its spinoffs, this asks, “Who are the real monsters?” Fans of that franchise will eat it up.
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