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October 16, 2026 
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Hi, movie fans!
It’s finally here! “You Can See Everything,” the Nathan Fielder-Lance Oppenheim documentary about Elizabeth Holmes, is arguably the most anticipated movie of 2026 (and in a year with “The Odyssey,” that’s saying something). When it played the Telluride Film Festival, the surprise screening made headlines around the world.
Outside of the so-called festival bubble, what do reviewers think? Manohla Dargis made it a critic’s pick for The Times, writing, “As a portrait, the movie is intimate and analytic, informative and incomplete. It’s also off-the-charts bonkers.”
Other Times critics are equally effusive. In conversation, Jason Zinoman, who specializes in comedy, and Alissa Wilkinson, who writes about movies but has been paying close attention to Fielder’s career, tried to get at what makes the film so riveting. For one, Zinoman noted that the film hits “notes of cringe comedy, spy thriller, horror,” while Wilkinson appreciated that “it made me aware of my presumptions that what I see onscreen is ‘real’ unless I’m told otherwise.”
Read their conversation after you see the film (because it’s a hard film to talk about without spoilers) and let us know in the comments section your thoughts.
Of course, a lot is happening elsewhere in movieland. This weekend, The Times is holding a journalism movie series at the Metrograph in New York City. Tickets are sold out, but a few films will be available online, including “This Is Not a Movie” and “Reality Winner.” (Pro tip: If you’re a Times subscriber, you can get a 40 percent discount on a Metrograph membership.)
Whatever you decide to watch, enjoy the movies!
