In an era of seemingly endless streaming releases, it’s almost impossible to keep up with what to watch, read or listen to. Thankfully, our team of critics, editors and writers do the heavy lifting throughout the year and then round up the essentials in our annual countdowns.
This week, our rock and pop albums countdown was topped by Charli xcx’s zeitgeist-shifting Brat, which our head rock and pop critic Alexis Petridis said “does everything you might conceivably want a pop album to do”. The singer also gave us the fun of a Brat summer … You can see the top 50 here including, at four, the lovely Charm by Clairo, who also spoke to Elle Hunt about making one of the year’s best records. Our folk, classical and global music writers have also shared their favourites. And I enjoyed this essay by Alexis about a year that reinforced our innate desire for a collective musical experience, whether it was the Eras tour or desperately scrambling for Oasis tickets.
The film team’s top 50 of the year is fascinating, highlighting many titles otherwise swamped by blockbuster noise. This year’s number one is British director Andrew Haigh’s sad, strange, beautiful drama All of Us Strangers. Film writer Benjamin Lee wrote that “Haigh’s study of loneliness does, in its own strange way, make us feel less alone”. Culture editor Alex Needham interviewed its star, Andrew Scott, and asked him about the film’s central theme. I loved All of Us Strangers and was pleased to see the stunning Zone of Interest near the top too. Owing to different release dates, Guardian US runs a concurrent film countdown, which was topped by The Brutalist, and our Australian team also wrapped up the best movies made there, too.
Our TV countdown concludes on Monday – the list is now down to number 2 (the controversial Netflix drama Baby Reindeer) and includes some of my favourite shows of the year such as Alma’s Not Normal and We Are Lady Parts. Our books team’s comprehensive roundup of the year’s best books, from children’s fiction to graphic novels to food, sport and science titles, is always an extravaganza. I’m glad they included James by Percival Everett and Stone Yard Devotional by Charlotte Wood – I have an exciting pile to read over new year. The Observer also produced a beautiful piece about the best children’s books.
Our other culture desks have been looking back, too, including our UK-based stage critics, (don’t miss The Years when it comes to the West End), and our art and architecture writers, who loved exhibitions of Monet and Marlene Dumas and buildings ranging from a Norwegian art gallery to the genius Olympic repurposing of Paris.
Our sports desk also gets in on the act, with its countdown of the best 100 male footballers on the planet (having just done the same for female players). Manchester City’s Rodri and Barcelona’s Aitana Bonmatí were the two winners. (Both lists were once again notably absent of any Leeds United players – I’ll be having a word next year.)
Finally, I wanted to update readers around the world on the sale of the Observer, our Sunday newspaper in the UK. On Wednesday, the Scott Trust – the Guardian’s ultimate owner – announced the completion of the sale of the Observer to Tortoise Media. Under the terms of the sale the Scott Trust will take a significant shareholding in the new group, which will operate under the Observer brand. There will be no job losses as a result of this deal, and the Observer newspaper will continue to be printed and distributed every Sunday in its current form. We believe these plans will create a sustainable future for the Observer and the Guardian and make for a stronger liberal press overall. We will continue to update readers further in the new year. I am delighted that the excellent Observer journalist Lucy Rock has been appointed editor of the newspaper.
Thank you for supporting our journalism for another year. Happy Christmas.